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K. 1971 for narrators, tenor, bass, female chorus, chamber ensemble and electronic tape (1972); based on Kafka’s The Trial, added texts from the Kafka Diaries, Balzac, and the Chinese poet Wen Yiduo. (Opera and musical theatre)
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The Miracle of Nemirov, opera in 1 act (1974); libretto by the composer based on a short story by I. L. Peretz. (Opera and musical theatre)
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A Free Pen, cantata for narrator, soprano, alto, tenor, bass, chorus (8 singers) and chamber ensemble (1990); libretto compiled by the composer from texts by Socrates, Spinoza, Zenger, and others (Opera and musical theatre)
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Madness for narrator and chamber orchestra (1972) (Orchestra)
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Stirrings for chamber orchestra (1979) (Orchestra)
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Winds and Sines for orchestra (1981) (Orchestra)
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Adhesions for orchestra (1987) (Orchestra)
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Candlelight for piano and orchestra (1988) (Orchestra)
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Just For Fun for chamber orchestra (1994) (Orchestra)
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Orchestral Tides for clarinet and chamber orchestra (2012/13) (Orchestra)
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Shadings for fl, ob, alto sax, bn, hn, tuba, 2 perc, vln, vla, cb (1978) (Large chamber ensemble)
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No Strings for fl/picc, ob, bcl, bn, alto sax, hn, tpt, tb, tuba, and 1 perc (1982) (Large chamber ensemble)
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Passing Fancies for picc/fl, ob, cl/bcl, bn, hn, tpt, tb, perc, 2 vln, vla, vc, cb (1985) (Large chamber ensemble)
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Bridges in Time for tpt, perc, 4 vln, 2 vla, 2 vc, cb (1986) (Large chamber ensemble)
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Dialogue for horn and tuba (1976) (Brass)
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Kalends for brass quintet (1981) (Brass)
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Quantum Quintet for brass quintet (1982) (Brass)
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Trysts for 2 trumpets (1982) (Brass)
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Zigzags for tuba (1988) (Brass)
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First Position for trombone and marimba (1992) (Brass)
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At the Colour Café for brass choir (4 C tpts, 4 hns, 2 tb, bass tb, tuba, perc) (1997) (Brass)
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Dialogue Continued for horn, trombone and tuba (2000) (Brass)
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From Sorrow for trumpet, horn and bass trombone (2001) (Brass)
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Triple Threat for 3 trumpets (2001) (Brass)
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Alternating Currents for bass trombone and piano (2002) (Brass)
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Double Threat for two trumpets (2002) (Brass)
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Meetings for 2 euphoniums and 2 tubas (2003) (Brass)
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Protected Sleep for horn and marimba (2006) (Brass)
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Stories for Our Time for trumpet and piano, (2007) (Brass)
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Edinboro Sonata for tuba and piano. (2009) (Brass)
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Combined Efforts for euphonium, tuba, and piano. (2014) (Brass)
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Custom-made Shades for trombone and piano (2015) (Brass)
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Three Movements for Saxophone Alone for soprano saxophone (1971) (Woodwinds)
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Conversations for alto flute and clarinet (1975) (Woodwinds)
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Speaking Alone for flute (1976) (Woodwinds)
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Windscape for woodwind quintet (1977) (Woodwinds)
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Oboe–sthenics for oboe (1980) (Woodwinds)
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Layered Lament for English horn and electronic tape (1983); Tape realized at the University of Utah Electronic Music Studio. (Woodwinds)
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On Four for electronic valve instrument, oboe/English horn, and piano 4 hands (1983) (Woodwinds)
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Restless Winds for woodwind quintet (1986) (Woodwinds)
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Xenium for flute and piano (1992) (Woodwinds)
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Taming the Furies for solo flute (2003) (Woodwinds)
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Interval Untamed: Five Miniatures for alto saxophone (2010) (Woodwinds)
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Conversations Continued for alto flute and clarinet (2011) (Woodwinds)
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Tides for clarinet and piano (2011/13) (Woodwinds)
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Colored Tones for soprano saxophone. (2014) (Woodwinds)
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Memories for viola (1974) (Strings)
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String Quartet (Untitled) (1976) (Strings)
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Speaking Together for violin and piano (1981) (Strings)
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Volcanic Songs for harp (1983) (Strings)
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Azure Skies for violin, cello and harp (1993) (Strings)
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Duplex Variations violin and piano (1995) (Strings)
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Paula’s Song for string quartet (1996) (Strings)
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Obsessions for cello and piano (1999) (Strings)
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Trial Balance for double bass (1999) (Strings)
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Reconstructed Music for violin, cello and piano (2002) (Strings)
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Translations for violin and cello (2004) (Strings)
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Let's Play for string quartet (2007) (Strings)
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A Brief Conversation for violin (2012) (Strings)
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For Him for flute, cello and vibraphone (1975) (Chamber music)
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Yet for Him for flute, cello and piano (1980) (Chamber music)
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Hollowed Refrains for oboe, violin and piano (1987) (Chamber music)
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Unquiet Dreams for clarinet, violin and piano (1992) (Chamber music)
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Connections for clarinet, cello and marimba (1994) (Chamber music)
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Troubled Repose for flute, viola and double bass (1998) (Chamber music)
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Shifting Colors for guitar, percussion, double bass, and piano (2012) (Chamber music)
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Settings for piano (1978) (Piano)
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Gliffs for piano (1984); Influenced by the dance techniques of Pina Bausch. (Piano)
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Two/Three (1996) (Piano)
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Two Bagatelles (2007) (Piano)
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Three/Four (2007) (Piano)
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Fleeting Moments for piano (2011/12) (Piano)
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3 Guitars (1980) (Guitar)
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Processional for solo guitar (1996) (Guitar)
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Pregnant Pauses for guitar quartet (2005) (Guitar)
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The Mercurial Guitarist for solo guitar (2012) (Guitar)
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Three by Three for percussion trio (1979) (Percussion)
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Pas de Deux for marimba and piano (1991) (Percussion)
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Of Wood and Skins for percussion duo (2003) (Percussion)
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Memories and Alterations solo marimba (2008) (Percussion)
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For Showing Truth for female chorus a cappella (1972, revised 1978); text by John Keats (Choral)
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Hymn of Compassionate Love for soloists, choir, trumpet, timpani, and strings (2005); Biblical text: I Corintheans 13 (Choral)
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The Wings of Night for mezzo-soprano and baritone soloists, SATB choir, and guitar. (2008); Texts by Shakespeare, Teasdale, Dickinson, and Colborne-Veel, illustrate the contrasting aspects of night. (Choral)
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In Shadow for soprano, guitar and clarinet (1972); texts by Emily Dickinson (Vocal)
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Echoes of Emily for alto and English horn (1979); texts by Emily Dickinson (Vocal)
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To Love? for bass-baritone and piano (1980); settings of an Elizabethan song and poems by Coventry Patmore and Ralph Waldo Emerson (Vocal)
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Journey Towards Oblivion for soprano, tenor and chamber ensemble (1991); based on texts by Christina Rossetti and D.H. Lawrence (Vocal)
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Mariana for mezzo-soprano, clarinet and piano (1995); text by Alfred Lord Tennyson (Vocal)
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Love Songs for soprano and flute/alto flute (1997) or mezzo-soprano and flute/alto flute (2005); texts by Sara Teasdale (Vocal)
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Wilde’s World for tenor, viola and guitar (2000); text: "To L.L." by Oscar Wilde (Vocal)
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Left Behind for horn and mezzo-soprano (2006); poetry by Edna St. Vincent Millay (Vocal)
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Manhattan Fixation for soprano, mezzo-soprano and cello (solo voices) or female chorus and cello (2008) (Vocal)
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Danish Delights for soprano and guitar (2009); Texts by Sara Teasdale, Corinna, and Thomas Campion. (Vocal)
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